128 Slices
Medium 9780253019561

18 Entertainment and Rest

Malcolm L. Fleming Indiana University Press ePub

The whole USO troupe out for the finale number. The stage was especially built for this show, the usual showplace being inadequate for the expected crowd.

Regensburg, Ger—5 August ’45

Bob Hope is busy autographing. He seemed tired to me, but got his usual barrel of laughs from the fellows.

Regensburg, Ger—5 August ’45

Full house of GIs at the evening circus performance. An afternoon show is given for civilians, but they think it rather third rate because many performers are not German. The fellows, though, keenly enjoyed it all. As with most of the acts this one is a family, the Burketts. It’s a contortionist stunt known as the Elastic Act. The father, negro, and mother, white, are shown here holding their heavily tanned daughter split between. The daughter inspired many a GI whistle.

Gotha, Ger—24 June ’45

One of the formidably enclosed courtyards in the Oberhaus. The moat and bridge approach to this part appear on the left. Once a Roman fortress, the place recently was a favorite partying spot for Hitler until the US Army took over and converted it into a rest area for GIs. I enjoyed some rest time here.

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Medium 9780253353627

2: Order ~ Focused Light

Henry Plummer Indiana University Press ePub



Window above Stair to Roof Center Family Dwelling House Pleasant Hill, Kentucky


The Shaker striving for order and calm gave a prominent visual role to the window, which often appears as the seminal force around which a room is developed. This centering power is magnified by simple geometry, symmetric placement, empty walls, and a halo-like frame, which are all further strengthened by a radiating pattern of light from a still source.

Ministry Hall Meetinghouse (1794) Sabbathday Lake, Maine

Window Triptych Center Family Dwelling House (1822–33) South Union, Kentucky

Window Diptych Center Family Dwelling House Pleasant Hill, Kentucky

Meetingroom Church Family Dwelling House Hancock, Massachusetts


The repetition of standardized elements in Shaker architecture served basic needs of economy and order, while ensuring anonymity and plainness, but also gave to every room a calming rhythm that served the spirit. This reverberation, suggestive of the rise and fall of a fugue or chant, is especially pronounced in the Shaker meetinghouse, whose windows shed a mesmerizing pulse of energy. Alternating rays of light echo into broad stripes of white plaster, divided by lines of blue paint on wooden beams, knee braces, and peg rails. As a result, tremulous patterns of light and dark envelop the entire worship space, and its sacred dance, in a visual incantation, whose simple waves could instantly soothe mind and soul, and invoke a faintly mystical spell.

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Medium 9781603442015

The Rio Grande Fragile Lifeline in the Desert

Ken W Kramer Texas A&M University Press ePub

Mary E. Kelly

NEAR the ghost town of Candelaria, Texas, there is a small footbridge that crosses the Rio Grande. I’m standing in the middle of the bridge—which is less than fifty feet across and three feet wide—gazing at the sluggish brown stream below. The banks are choked by salt cedar, with only the occasional tenacious willow or cottonwood poking through. It’s brutally hot. Now and then, I glance back over my shoulder to make sure the Border Patrol hasn’t come around and wondered if the owner of the pickup truck parked on the Mexican side of the river is around.

The sun must be starting to take its toll. Is this really a part of the river that I have spent much of my career trying to understand and protect? There are thousands of miles of bigger, cleaner, more beautiful streams all over this state and country, none of them with the ridiculously complicated challenges facing the once mighty Rio Grande, or Rio Bravo del Norte, as it is known in Mexico. Why care about a river that can look this miserable?

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Medium 9780892728060

Can you identify this Arnold Trail campground?

Andrew Vietze Down East Books ePub

If Benedict Arnold and his army had campsites like these when they passed through the howling wilderness here in 1775, perhaps their expedition to Quebec would have had a happier ending. Today’s campers are happy indeed at the shore of this lake in the western mountains. The three hundred-acre campground is a popular place come summertime, with 115 sites overlooking one of the state’s larger freshwater basins. Known for its stately red pines, this community-owned facility has a boat launch, playground, and recreation hall. The activities nearby are many, from hiking those peaks in the distance (among the state’s tallest), to boating, to watching moose at the local “drive in.” The town that surrounds this peaceful spot is tiny — 685 souls — but you can find almost everything you need for a summer spell right here. Turn to page 100 if you can identify this Arnold Trail campground or its scenic setting.

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Medium 9781574416565


Byrd M. Williams IV University of North Texas Press ePub

Ancient Egyptian bar vs. modern French Bar

I LOVE THE PUBLIC AND PRIVATE ENCLOSURES that humans occupy. The places where they sleep, eat, and work say more about humanity than a facial portrait can. For decades I have found comfort in mapping these interior spaces for commissions and curiosity. The preponderance of this large body of work is mostly personal images that are less art than artifact. More like utilitarian stamp collecting.

I started photographing my grade school friends’ rooms in the 1950s, and this subject matter is still my main work today. All three of my photographic ancestors made time exposures of the rooms and spaces they encountered, one of the first being a hardware store in Gainesville, Texas, in the late 1880s.

Sometimes there are people in them, both blurry and sharp, and sometimes they are devoid of life. I tend to like the lifeless ones best because then the room gets to speak for itself. These enclosures often live longer than the people who worked and lived in them and sometimes the photographs live longer than either, as stated by art critic Janet Tyson:

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